When two former street performers founded Cirque du Soleil in 1984, they began a movement that would revolutionize the concept of the modern circus. KÀ, Cirque’s fourth resident show in Las Vegas, premiered in 2004 at the MGM Grand. The unique, Vegas style production is a multimedia, acrobatic, orchestral undertaking about conflict, love, and self discovery. KÀ lacks a traditional stage and is instead performed on floating platforms that rotate and move. What is the KÀ encountered in this show? Discuss