Jolson was one of the most popular entertainers in the US in the 1930s. The son of a rabbi, he had planned to be a cantor but instead became a singer and comedian. By the age of 15, he was touring in vaudeville and minstrel shows. His 1909 blackface performance of “Mammy” was a hit, and he performed on Broadway and the radio. In 1927, he starred in the first feature-length “talkie,” The Jazz Singer. How do scholars differ in their analysis of Jolson’s use of blackface in his performances? Discuss
Source: The Free Dictionary